Oops.  I thought I was just sending a private note to Brian.  Please forgive
me.

Carol

Carol Harsh
Co-Director
Museum on Main Street
Smithsonian Institution, SITES
(202)357-1760
(202)409-0223 (cell)
[log in to unmask]

>>> [log in to unmask] 11/14/03 11:56AM >>>
Brian,

Thanks for your kind note.  I appreciate your thoughtfulness.  These have
been the hardest days of my life.  But we will make it.

Did we change the response deadline for the booking letters?  I thought
the
deadline was December 1 for them to let us know their preferences and we
would let them know by December 15, right?  Your e-mail says the deadline
is
December 15.

What kinds of response did you get from states at the conference?  Terri
said there was a lot of interest in Fences.  True?  Looks like we might
need
to do five copies after all.

Carol

Carol

>>> [log in to unmask] 11/12/03 03:39PM >>>
Hey MoMsers
just a couple of quick notes and a question for you all --

Booking letters for upcoming MoMS tours were sent from the Federation more
than a week ago (the letter outlines opportunities for scheduling any of
the
ongoing MoMS exhibitions as well as the newest exhibit, Between Fences).
The
deadline for responses is December 15. If you haven't seen this packet in
your office, please let us know and we'll see that one comes your way.

The MoMS staff met a couple of weeks ago; we had very exciting
presentations from SITES project directors for exhibitions currently in
development. As a result, we had a conversation regarding the optimal size
for MoMS shows, but thought we'd throw the question out for your comments.
Is 500 square feet too small (Barn Again)? Is 800 square feet too big (Key
Ingredients)? What's ideal for the exhibition hosts in your towns? Forward
your comments on- or off-line, we'd love to know your preferences.

Finally, as you can, please change my email address from
[log in to unmask] to [log in to unmask] Thanks.

It was good seeing many of you in Savannah this past week, and for those
that didn't make it, we missed you most of all.

All the best,

Brian