Date: Thu, 09 Jun 2011 07:43:27 -0700 From: "Carole Campbell" <[log in to unmask]> To: "Liana Radvak" <[log in to unmask]> Subject: Re: Exhibition ? Mime-Version: 1.0 Content-Type: multipart/alternative; boundary="=__Part163AA61F.2__=" --=__Part163AA61F.2__= Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: quoted-printable Hi Liana, =20 Here at the Getty we do a couple things: =20 In Exhibitions: In the remarks field we enter the openings in order - 1st = rotation followed by 2nd rotation with a semi-colon in between. In the = Segment field, which is not visible in 9.35 (may be in TMS 2010 - we don't = have our test environment set up yet) we enter "a" for first rotation, "b" = for second rotation, "c" for third rotation and "x" for on display during = all rotations. This allows reports to display objects based on their = rotation. If a user wants first rotation they get everything where = Segment =3D "a" or "x". If they want all objects they get "a", "b", "c" = and "x". I also note the rotation dates on the Notes Tab under Text = Entries. =20 In Objects: We will enter the display page if the rotation is a book where = we turn the page in the Location Remarks field. If the whole object was = switch there would be movements for the actual object exchange. I just = did a page turning yesterday for one of our exhibitions and did a new move = with the new page opening cited in Remarks. =20 =20 Also, for our permanent collection we enter "part" records for our = folios/images inside of our manuscripts and photographic books and albums. = We attach those part records to the exhibition in addition to the = manuscript or book or album record. It helps us to determine exposure = history for a particular object even when it is inside a manuscript, book = or album. =20 Hope this helps! Let me know if you have any questions. =20 Carole =20 Carole Campbell Registrar for Collections Management J. Paul Getty Museum 1200 Getty Center Drive, Suite 1000 Los Angeles, CA 90049 Tel: (310) 440-7083 Fax: (310) 440-7746 [log in to unmask] >>> On Thursday, June 09, 2011 at 7:26 AM, <[log in to unmask]> wrote: Hi, =20 I am looking for advice on how to track rotations of works of art in and = out of an exhibition. I have thought of using statuses in objects to = capture if a work was in the 1st or 2nd rotation but would like to hear = from anyone who is tracking this successfully. =20 Many thanks, =20 Liana =20 =20 Liana Radvak Manager, Collection Information & Resources Art Gallery of Ontario 317 Dundas St. West Toronto, ON. M5T 1G4 416.979.6660 x.463 =20 To unsubscribe, send an email to [log in to unmask] with the = following commands in the body of the email:=20 signoff TMSUSERS=20 // eoj=20 You will receive a confirmation that your subscription has been removed. To unsubscribe, send an email to [log in to unmask] with the following commands in the body of the email: signoff TMSUSERS // eoj You will receive a confirmation that your subscription has been removed. --=__Part163AA61F.2__= Content-Type: text/html; charset=US-ASCII Content-Transfer-Encoding: quoted-printable Content-Description: HTML <HTML xmlns=3D"http://www.w3.org/TR/REC-html40" xmlns:v =3D "urn:schemas-mi= crosoft-com:vml" xmlns:o =3D "urn:schemas-microsoft-com:office:office" = xmlns:w =3D "urn:schemas-microsoft-com:office:word" xmlns:m =3D "http://sch= emas.microsoft.com/office/2004/12/omml"><HEAD> <META http-equiv=3DContent-Type content=3D"text/html; charset=3Diso-8859-15= "> <META content=3D"MSHTML 6.00.6001.18527" name=3DGENERATOR> <STYLE><!-- /* Font Definitions */ @font-face {font-family:Calibri; panose-1:2 15 5 2 2 2 4 3 2 4;} /* Style Definitions */ p.MsoNormal, li.MsoNormal, div.MsoNormal {margin:0cm; margin-bottom:.0001pt; font-size:11.0pt; font-family:"Calibri","sans-serif";} a:link, span.MsoHyperlink {mso-style-priority:99; color:blue; text-decoration:underline;} a:visited, span.MsoHyperlinkFollowed {mso-style-priority:99; color:purple; text-decoration:underline;} span.EmailStyle17 {mso-style-type:personal-compose; font-family:"Calibri","sans-serif"; color:windowtext;} .MsoChpDefault {mso-style-type:export-only;} @page WordSection1 {size:612.0pt 792.0pt; margin:72.0pt 72.0pt 72.0pt 72.0pt;} div.WordSection1 {page:WordSection1;} --></STYLE> </HEAD> <BODY lang=3DEN-US style=3D"MARGIN: 4px 4px 1px; FONT: 10pt Georgia" = vLink=3Dpurple link=3Dblue> <DIV>Hi Liana,</DIV> <DIV> </DIV> <DIV>Here at the Getty we do a couple things:</DIV> <DIV> </DIV> <DIV>In Exhibitions: In the remarks field we enter the openings in order - = 1st rotation followed by 2nd rotation with a semi-colon in between. = In the Segment field, which is not visible in 9.35 (may be in TMS 2010 - = we don't have our test environment set up yet) we enter "a" for first = rotation, "b" for second rotation, "c" for third rotation and "x" for on = display during all rotations. This allows reports to display objects = based on their rotation. If a user wants first rotation they get = everything where Segment =3D "a" or "x". If they want all objects = they get "a", "b", "c" and "x". I also note the rotation dates on = the Notes Tab under Text Entries.</DIV> <DIV> </DIV> <DIV>In Objects: We will enter the display page if the rotation is a book = where we turn the page in the Location Remarks field. If the whole = object was switch there would be movements for the actual object exchange.&= nbsp; I just did a page turning yesterday for one of our exhibitions and = did a new move with the new page opening cited in Remarks. </DIV> <DIV> </DIV> <DIV>Also, for our permanent collection we enter "part" records for our = folios/images inside of our manuscripts and photographic books and = albums. We attach those part records to the exhibition in addition = to the manuscript or book or album record. It helps us to determine = exposure history for a particular object even when it is inside a = manuscript, book or album.</DIV> <DIV> </DIV> <DIV>Hope this helps! Let me know if you have any questions.</DIV> <DIV> </DIV> <DIV>Carole</DIV> <DIV> </DIV> <DIV><FONT face=3DArial> <DIV> <DIV><FONT face=3DGeorgia size=3D2>Carole Campbell<BR>Registrar for = Collections Management<BR>J. Paul Getty Museum<BR>1200 Getty Center Drive, = Suite 1000<BR>Los Angeles, CA 90049<BR>Tel: (310) 440-7083</FONT></DIV> <DIV><FONT face=3DGeorgia size=3D2>Fax: (310) 440-7746</FONT></DIV> <DIV><FONT face=3DGeorgia size=3D2><A href=3D"mailto:[log in to unmask]">c= [log in to unmask]</A></FONT></DIV></FONT></DIV><BR><BR>>>> On = Thursday, June 09, 2011 at 7:26 AM, <[log in to unmask]> wrote:<BR>= </DIV> <TABLE style=3D"FONT-SIZE: 1em; MARGIN: 0px 0px 0px 15px" bgColor=3D#f3f3f3= border=3D0> <TBODY> <TR> <TD> <DIV style=3D"PADDING-LEFT: 7px; BORDER-LEFT: #050505 1px solid"> <DIV class=3DWordSection1> <P class=3DMsoNormal>Hi,<o:p></o:p></P> <P class=3DMsoNormal><o:p> </o:p></P> <P class=3DMsoNormal>I am looking for advice on how to track rotations of = works of art in and out of an exhibition. I have thought of using statuses = in objects to capture if a work was in the 1<SUP>st</SUP> or 2<SUP>nd</SUP>= rotation but would like to hear from anyone who is tracking this = successfully.<o:p></o:p></P> <P class=3DMsoNormal><o:p> </o:p></P> <P class=3DMsoNormal>Many thanks,<o:p></o:p></P> <P class=3DMsoNormal><o:p> </o:p></P> <P class=3DMsoNormal>Liana<o:p></o:p></P> <P class=3DMsoNormal><o:p> </o:p></P> <P class=3DMsoNormal><o:p> </o:p></P> <P class=3DMsoNormal><SPAN style=3D"FONT-SIZE: 10pt; FONT-FAMILY: = 'Arial','sans-serif'">Liana Radvak</SPAN><SPAN style=3D"FONT-SIZE: 12pt; = FONT-FAMILY: 'Times New Roman','serif'"><o:p></o:p></SPAN></P> <P class=3DMsoNormal><SPAN style=3D"FONT-SIZE: 10pt; FONT-FAMILY: = 'Arial','sans-serif'">Manager, Collection Information & Resources</SPAN= ><SPAN style=3D"FONT-SIZE: 12pt; FONT-FAMILY: 'Times New Roman','serif'"><o= :p></o:p></SPAN></P> <P class=3DMsoNormal><SPAN style=3D"FONT-SIZE: 10pt; FONT-FAMILY: = 'Arial','sans-serif'">Art Gallery of Ontario</SPAN><SPAN style=3D"FONT-SIZE= : 12pt; FONT-FAMILY: 'Times New Roman','serif'"><o:p></o:p></SPAN></P> <P class=3DMsoNormal><SPAN style=3D"FONT-SIZE: 10pt; FONT-FAMILY: = 'Arial','sans-serif'">317 Dundas St. West</SPAN><SPAN style=3D"FONT-SIZE: = 12pt; FONT-FAMILY: 'Times New Roman','serif'"><o:p></o:p></SPAN></P> <P class=3DMsoNormal><SPAN style=3D"FONT-SIZE: 10pt; FONT-FAMILY: = 'Arial','sans-serif'">Toronto, ON. M5T 1G4</SPAN><SPAN style=3D"FONT-SIZE: = 12pt; FONT-FAMILY: 'Times New Roman','serif'"><o:p></o:p></SPAN></P> <P class=3DMsoNormal><SPAN style=3D"FONT-SIZE: 10pt; FONT-FAMILY: = 'Arial','sans-serif'">416.979.6660 x.463</SPAN><o:p></o:p></P> <P class=3DMsoNormal><o:p> </o:p></P></DIV></DIV></TD></TR></TBODY></T= ABLE>To unsubscribe, send an email to <A href=3D"mailto:listserv@si-listser= v.si.edu">[log in to unmask]</A> with the following commands in = the body of the email:=20 <P>signoff TMSUSERS </P> <P>// eoj </P> <P></P> <P>You will receive a confirmation that your subscription has been = removed. </P></BODY></HTML> To unsubscribe, send an email to <a href=3D"mailto:[log in to unmask]">[log in to unmask]</a> with the following commands in the body of the email: <p> signoff TMSUSERS </p><p> // eoj </p><p> </p><p> You will receive a confirmation that your subscription has been removed. --=__Part163AA61F.2__=--