I would love to read them.  You can send them to my email if that is
convenient for you.  [log in to unmask]

Ann Frisina
Textile Conservator
Minnesota Historical Society
345 Kellogg Blvd. W.
St. Paul, MN 55413
651 259-3385

https://urldefense.proofpoint.com/v1/url?u=http://www.mnhs.org/preserve/conservation/index.html&k=diZKtJPqj4jWksRIF4bjkw%3D%3D%0A&r=YEYT9a57DeMCjLRn%2ByOKwM2slibCGhe2fkJNBp6S2cA%3D%0A&m=5c1xy2WrZrrvLlho5dSn1D65MP9CQAeAjNqBv0ohsLc%3D%0A&s=9359cf50e774dbe6c219fe27975565004c8a9299a88b9e157419f73ccc10d11f



On Fri, Apr 25, 2014 at 10:36 AM, Maria Fusco <[log in to unmask]>wrote:

> We've had a couple recent interns work with Fosshape too with good
> results: making an invisible mount for an African tunic/cape (casting the
> upper torso on a dress form and hand working the lower portions of the
> mount to custom fit the lower regions of the cape) and making an invisible
> mount for a tshirt (casting on a dress form fitted with arms ... getting the
> fosshape 'sleeve' right was tricky but manageable).
>
>
>
> One of these clever interns, Tae Ahn from the FIT program, had a great
> idea to use a portable hand held steamer (Conair Extreme Hand Held Fabric
> Steamer with Dual Heat, model GS23) and we found this to be more useful
> than our Jiffy Garment steamer - it uses less water, gives you more
> mobility, control & directed steam & can get into smaller spaces.  We've
> also used tacking irons at times.  The interns write up brief reports on
> their working observations of the material and various steam/heat tools -
> if anyone's got a project going in the near term and wants to read them ,
> let me know!
>
>
>
> Maria
>
>
>
> *Maria Fusco*
>
> Associate Conservator, Conservation Department
>
> The Textile Museum * 2320 S Street  NW * Washington, DC 20008
>
> tel. 202.667.0441, ext.28 * fax 202.483.0994
>
>
>
>
>
> *From:* Textile Conservators [mailto:[log in to unmask]] *On
> Behalf Of *Ann Frisina
> *Sent:* Friday, April 25, 2014 11:16 AM
>
> *To:* [log in to unmask]
> *Subject:* Re: Fosshape Tools and Techniques
>
>
>
> That's what I want to use it for.  Moccasins.  I want three sizes, Child,
> Adult, Big Adult.  Has anyone used the 3-dimensional zerox, I know probably
> the wrong name, to make forms yet?  That would be the key.  If we had forms
> we could use to make invisible mounts without having to wrestle with
> expensive mannequins.
>
>
> Ann Frisina
>
> Textile Conservator
>
> Minnesota Historical Society
>
> 345 Kellogg Blvd. W.
>
> St. Paul, MN 55413
>
> 651 259-3385
>
>
>
> https://urldefense.proofpoint.com/v1/url?u=http://www.mnhs.org/preserve/conservation/index.html&k=diZKtJPqj4jWksRIF4bjkw%3D%3D%0A&r=YEYT9a57DeMCjLRn%2ByOKwM2slibCGhe2fkJNBp6S2cA%3D%0A&m=5c1xy2WrZrrvLlho5dSn1D65MP9CQAeAjNqBv0ohsLc%3D%0A&s=9359cf50e774dbe6c219fe27975565004c8a9299a88b9e157419f73ccc10d11f<https://urldefense.proofpoint.com/v1/url?u=http://www.mnhs.org/preserve/conservation/index.html&k=diZKtJPqj4jWksRIF4bjkw%3D%3D%0A&r=YEYT9a57DeMCjLRn%2ByOKwM2slibCGhe2fkJNBp6S2cA%3D%0A&m=G0PXutLlINzQ6z%2Fu1%2BKBYK6FJCWEPCC4ypYcqy1deuI%3D%0A&s=1585a6999b0db1b6e6f5268aa765cc484e654f34d870b6f3d8c25ecf6cd4d58c>
>
>
>
>
>
> On Fri, Apr 25, 2014 at 10:03 AM, Kathleen Kiefer <
> [log in to unmask]> wrote:
>
> Ann,
>
>
>
> I've formed Fosshape around a mannequin arm.  Around a foot it would
> probably be great as part of a moccasin insert.
>
>
> Kathleen Kiefer, Conservator
>
> Material Culture Conservation, LLC
>
> 212 W 10th St, Suite B-240
>
> Indianapolis, IN 46202
>
> [log in to unmask]
>
> 484-639-4749 - cell
>
>
>
> On Fri, Apr 25, 2014 at 10:48 AM, Ann Frisina <[log in to unmask]>
> wrote:
>
> I sometimes use a hair dry for a more focused direct stream of heat.  Has
> anyone tried to form Fosshape around a mannequin foot?  I have been
> thinking it could be a good support for moccasins.
>
>
> Ann Frisina
>
> Textile Conservator
>
> Minnesota Historical Society
>
> 345 Kellogg Blvd. W.
>
> St. Paul, MN 55413
>
> 651 259-3385
>
>
>
> https://urldefense.proofpoint.com/v1/url?u=http://www.mnhs.org/preserve/conservation/index.html&k=diZKtJPqj4jWksRIF4bjkw%3D%3D%0A&r=YEYT9a57DeMCjLRn%2ByOKwM2slibCGhe2fkJNBp6S2cA%3D%0A&m=5c1xy2WrZrrvLlho5dSn1D65MP9CQAeAjNqBv0ohsLc%3D%0A&s=9359cf50e774dbe6c219fe27975565004c8a9299a88b9e157419f73ccc10d11f<https://urldefense.proofpoint.com/v1/url?u=http://www.mnhs.org/preserve/conservation/index.html&k=diZKtJPqj4jWksRIF4bjkw%3D%3D%0A&r=YEYT9a57DeMCjLRn%2ByOKwM2slibCGhe2fkJNBp6S2cA%3D%0A&m=GuN0TIBVuSZ0goVmq04Hh7BYK20S6LAZcRkwoZZafX0%3D%0A&s=866e9d88e1b23d7d59fabbc7fe711610dfcc961bf7135a09960d4541d60df03b>
>
>
>
>
>
> On Fri, Apr 25, 2014 at 9:36 AM, Laura Mina <[log in to unmask]> wrote:
>
> Hello:
>
>
>
> At the Philadelphia Museum of Art we have used Fosshape for many projects,
> and have found that different steam and heat tools produce different
> results. We typically use the regular head of a Jiffy steamer to set
> Fosshape.
>
>
>
> What tools and techniques do others use?
>
>
>
> Many thanks,
>
> Laura Mina
>
>
>
>
>
>
>