I have made articulated hands using the thinner Fosshape, armature wire, Dacron and white cotton gloves. I have only ever used the Jiffy steamer head for setting Fosshape. The hands were made for a costume that had lycra gloves, photo here: https://urldefense.proofpoint.com/v1/url?u=http://blog.tepapa.govt.nz/2013/09/27/wearable-of-the-week-5/&k=diZKtJPqj4jWksRIF4bjkw%3D%3D%0A&r=YEYT9a57DeMCjLRn%2ByOKwM2slibCGhe2fkJNBp6S2cA%3D%0A&m=SmS3vvPjXCHIGdxHBTEA4NLbQdUI6aW0iJ6fZkJ%2BrVw%3D%0A&s=81156b345b177cbdcd02162a0fb52daa627ca23323fb63651ca1b5ed8bccbbb0 The costume was displayed on a mannequin that had a hands-on-hips sort of pose. Making semi-soft hands meant that the lycra gloves--tipped with Perspex/Plexiglas spikes--could drape over the spiked Perspex skirt without putting pressure on any of the rigid plastic spikes (most of which were glued to the substrate material). And the Fosshape made for a more convincing look--articulated ridges where the tendons and bone of the hand are-- than Dacron stuffed inside a glove would have. The Fosshape was molded only around the top of the hand; the palm was 1" thick polyester batting only. We've also done something similar for a military uniform to be able to give a wider range of movement to the mannequin, see attached pic. Here we cut the fingers off the mannequin and replaced them with Fosshape, Volara and armature wire. R.e. 3-D--Our mountmakers have used a 3D scanner to produce digital files to send to our supplier of Ethafoam (A.E. Karsten). The Ethafoam supplier produces router cut segments to the file specifications, these can then be assembled to create a custom interior support. Definitely would be keen to hear more from anyone using 3D scanning for costume & textile mounts. I'm aware of some trials that were done with 3D at the V&A for the Hollywood exhibition as well https://urldefense.proofpoint.com/v1/url?u=http://www.vam.ac.uk/content/journals/conservation-journal/spring-2012-issue-60/cutting-character-research-into-innovative-mannequin-costume-supports-in-collaboration-with-the-royal-college-of-art-rapid-form-department/&k=diZKtJPqj4jWksRIF4bjkw%3D%3D%0A&r=YEYT9a57DeMCjLRn%2ByOKwM2slibCGhe2fkJNBp6S2cA%3D%0A&m=SmS3vvPjXCHIGdxHBTEA4NLbQdUI6aW0iJ6fZkJ%2BrVw%3D%0A&s=96d9ceb4e2c6536541c62daca248fc90181f1d5fc8efd78e253a76e97949e635 We've been working closely with the World of Wearable Art museum and they've asked for help to make a storage mount for a molded leather horse head component of a Mary Wing piece, "Hylonome" https://urldefense.proofpoint.com/v1/url?u=http://blogs.wsj.com/scene/2011/08/29/how-faux-horse-wins-on-the-runway/&k=diZKtJPqj4jWksRIF4bjkw%3D%3D%0A&r=YEYT9a57DeMCjLRn%2ByOKwM2slibCGhe2fkJNBp6S2cA%3D%0A&m=SmS3vvPjXCHIGdxHBTEA4NLbQdUI6aW0iJ6fZkJ%2BrVw%3D%0A&s=df26a421fe205461e41b8a796461b03dcaa5107b07951123c60c10319e6dba96 and have suggested 3D scanning. Anne Peranteau Textile Conservator Museum of New Zealand/ Te Papa Tongarewa 169 Tory St. Wellington New Zealand 64 04 381 7332 ________________________________ From: Textile Conservators [mailto:[log in to unmask]] On Behalf Of Ann Frisina Sent: Saturday, 26 April 2014 3:16 a.m. To: [log in to unmask] Subject: Re: Fosshape Tools and Techniques That's what I want to use it for. Moccasins. I want three sizes, Child, Adult, Big Adult. Has anyone used the 3-dimensional zerox, I know probably the wrong name, to make forms yet? That would be the key. If we had forms we could use to make invisible mounts without having to wrestle with expensive mannequins. Ann Frisina Textile Conservator Minnesota Historical Society 345 Kellogg Blvd. W. St. Paul, MN 55413 651 259-3385 https://urldefense.proofpoint.com/v1/url?u=http://www.mnhs.org/preserve/conservation/index.html&k=diZKtJPqj4jWksRIF4bjkw%3D%3D%0A&r=YEYT9a57DeMCjLRn%2ByOKwM2slibCGhe2fkJNBp6S2cA%3D%0A&m=SmS3vvPjXCHIGdxHBTEA4NLbQdUI6aW0iJ6fZkJ%2BrVw%3D%0A&s=5489fff5d17b51ceac16b2f026084aa5ba1f59b3a5bd018f90eae8dfceb562d1<https://urldefense.proofpoint.com/v1/url?u=http://www.mnhs.org/preserve/conservation/index.html&k=diZKtJPqj4jWksRIF4bjkw%3D%3D%0A&r=YEYT9a57DeMCjLRn%2ByOKwM2slibCGhe2fkJNBp6S2cA%3D%0A&m=G0PXutLlINzQ6z%2Fu1%2BKBYK6FJCWEPCC4ypYcqy1deuI%3D%0A&s=1585a6999b0db1b6e6f5268aa765cc484e654f34d870b6f3d8c25ecf6cd4d58c> On Fri, Apr 25, 2014 at 10:03 AM, Kathleen Kiefer <[log in to unmask]<mailto:[log in to unmask]>> wrote: Ann, I've formed Fosshape around a mannequin arm. Around a foot it would probably be great as part of a moccasin insert. Kathleen Kiefer, Conservator Material Culture Conservation, LLC 212 W 10th St, Suite B-240 Indianapolis, IN 46202 [log in to unmask]<mailto:[log in to unmask]> 484-639-4749<tel:484-639-4749> - cell On Fri, Apr 25, 2014 at 10:48 AM, Ann Frisina <[log in to unmask]<mailto:[log in to unmask]>> wrote: I sometimes use a hair dry for a more focused direct stream of heat. Has anyone tried to form Fosshape around a mannequin foot? I have been thinking it could be a good support for moccasins. Ann Frisina Textile Conservator Minnesota Historical Society 345 Kellogg Blvd. W. St. Paul, MN 55413 651 259-3385<tel:651%20259-3385> https://urldefense.proofpoint.com/v1/url?u=http://www.mnhs.org/preserve/conservation/index.html&k=diZKtJPqj4jWksRIF4bjkw%3D%3D%0A&r=YEYT9a57DeMCjLRn%2ByOKwM2slibCGhe2fkJNBp6S2cA%3D%0A&m=SmS3vvPjXCHIGdxHBTEA4NLbQdUI6aW0iJ6fZkJ%2BrVw%3D%0A&s=5489fff5d17b51ceac16b2f026084aa5ba1f59b3a5bd018f90eae8dfceb562d1<https://urldefense.proofpoint.com/v1/url?u=http://www.mnhs.org/preserve/conservation/index.html&k=diZKtJPqj4jWksRIF4bjkw%3D%3D%0A&r=YEYT9a57DeMCjLRn%2ByOKwM2slibCGhe2fkJNBp6S2cA%3D%0A&m=GuN0TIBVuSZ0goVmq04Hh7BYK20S6LAZcRkwoZZafX0%3D%0A&s=866e9d88e1b23d7d59fabbc7fe711610dfcc961bf7135a09960d4541d60df03b> On Fri, Apr 25, 2014 at 9:36 AM, Laura Mina <[log in to unmask]<mailto:[log in to unmask]>> wrote: Hello: At the Philadelphia Museum of Art we have used Fosshape for many projects, and have found that different steam and heat tools produce different results. We typically use the regular head of a Jiffy steamer to set Fosshape. 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